The Project A man's character is his fate. • Heraclitus What is the Fate Project? Historical Background The idea that mortals could be so arrogant and overconfident that they would defy or try to defy divine will, fate, and prophecy appears as early as Homer but is fully realized some three centuries later in Hellenic tragedy, most famously in Sophocles's play Oedipus Rex, in which we see a consummately heroic individual unwittingly arranging his own downfall through his failure to yield to the ineluctable authority of forces greater than his own will. It is a fundamental irony of Attic tragedy that, while we are "the chattel of the gods" (Socrates) and entirely dependent on their will, we ourselves bring about our fate by the most basic choice we can make in any situation, viz., either to acknowledge and accept our dependence or deny it and willfully assert our authority over and against whatever is trying to work itself out in our experience. It would be a mistake, however, to think that we're to understand fate only in terms of hubris and tragedy. There's another path open to us—the path of areté, often translated as "virtue" but more accurately as "virtuosity" or "excellence," which is far truer to the Greek world-view, for the Greeks prized and to an unprecedented extent realized excellence in all things cultural—the visual and performance arts, music, politics, sports, philosophy, and letters. They also recognized an areté to being human, a kind of excellence in living. Our Policies Site Use: In interacting with the Fate Project, you agree not to use the site resources, including email, the get in touch form on our Resources page, or other method of communication in any way that is defamatory, abusive, vulgar, hateful, harassing, obscene, profane, sexually oriented, threatening, disrespectful, invasive of a person’s privacy, "adult" in nature, or otherwise in violation of any International or United States Federal law. These Terms also prohibit using site resources including our get in touch form or email addresses to send spam or solicit business in any form, attempt to establish social networking, or communicate about matters not directly related to the Fate Project. Terms of Study: Over the years, we've established the following Terms of Study to ensure that students receive the greatest benefit from their work with us, and to preserve the integrity of our curriculum and programs.
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Acknowledgments Deep appreciation is offered here, too, for the influence of the late Thomas Hanna, a brilliant and inspiring professor and somatics pioneer who gave our director a real appreciation for the subtleties of Greek tragedy and their implications for human choice. All these years later, since his death, his presence is still at once keenly felt and sorely missed. Finally, these acknowledgments must include a debt of gratitude tto the immortal Socrates himself, declared by the Delphic Oracle to be "the wisest of men" in knowing that he knew nothing. If there has ever been a greater teacher in the history of Western culture, he has yet to be discovered. |

Philip Golabuk founded the Fate Project to offer a simple, powerful model and method for living in cooperation with fate. The approach cuts at the common root of human problems ranging from individual conflicts of every sort to the global calamities of world poverty and hunger, the destruction of the planetary ecology, and the failure of our species to recognize that violence and war are self-defeating. Philip completed his undergraduate and graduate degrees in philosophy with special studies in metaphysics, phenomenology, religious philosophy, and theory of knowledge at the University of Florida, where he worked closely with Dr. James Millikan, a phenomenologist, and Dr. Tom Hanna, a pioneer in somatics. From 1973-1993, he taught philosophy at the college level and as part of special outreach programs to inmates in jail and prison, and wrote several books in applied philosophy, including Recovering From A Broken Heart; The Sunset Grill Chronicles; and Walls, Windows, and Doorways, which have been published in the U.S. and overseas in translation. In addition to serving as the Fate Project's director, Philip founded and directs the Fate Project. He also writes literary fiction, and recently completed his third novel.